It is an html page in which you search for a term. The server connects to the Google Images API, gives you back an image, automatically search for the title of that image, gives you back the new image, search for its title and so on.
In a broader sense, the idea of a message being formed by the person who receives it can also relate to the psychological phenomena known as apophenia, the human tendency to see patterns. The principle has its variants, such as pareidolia, a type of apophenia associated with images or sounds. This is a very common phenomena in our lives. We experience it by seeing faces in geometric forms like the one above.
An interesting manifestation of apophenia in literature is the short story “The Library of Babel,” by Jorge Luiz Borges. In the story, people inhabit a library full of books made out of 25 characters sorted in every possible order. Most books are unreadable and completely nonsense. Even so, people believe that there might be books containing useful information and even predictions of the future, because all possible permutations are contained in the books.
I chose the two inspired by the ideas of archetypal stories, that is, basic plots that repeat over different narrative pieces. Both Her and Weird Science tell the story of men playing God, recreating human intelligence. The same plot is also found in Frankenstein, Pinocchio, and in more recent pieces of science fiction.
That explains the content. The narrative strategy, though, is based on letting users construct their own stories in their minds. Technically, I mashed up the subtitles from the 2 different movies and sorted them based on the time index of each subtitle.
There is no visual differentiation telling users about which sentence belong to which movie. Like in the Telephone project, sometimes the result is pure nonsense and sometimes it seem to construct a cohesive narrative.
Besides having similar stories, I’ll try to find movies with the same character names. By doing so, I’ll try to use the character names on the the subtitles to jump from one scene to another, instead of having the time-based sorting as before. This is a way of reducing the randomness in the connections.
I intend to do that with code once more. That is not a narrative strategy, but it’s not an idiosyncratic choice either. As said in the beginning of this presentation, I’m interested in generative art. The purpose is to create an apparently cohesive narrative by playing with algorithms.